3's company

Three me please

Three is a magic number.  From the micro (protons, neutrons and electrons) to the cosmic (planets, stars and galaxies), nature bundles it’s wonders in three.  I suppose it is no surprise, then, that humans do exactly the same within their world:

  • Storytelling and the trilogy

  • Religion and the trinity

  • Art and the tryptych

Our brains are hard-wired to seek out patterns and relationships, and we are drawn to clusters of three as the simplest way to connect thoughts.  We see it used in speech-writing, classroom learning and comedy skits.  Simply put: three rules.

So, perhaps it isn’t a coincidence that I too have a trifecta of sorts, at least as it relates to my creative world.  Today, it seems these three elements are intertwined more than I had imagined:

  •  My job

  • My travel

  • My installation

Mung bean installation on Maui will melt with the rising tide, Kaanapali Beach, April 2019.

Mung bean installation on Maui will melt with the rising tide, Kaanapali Beach, April 2019.

Triangulation

To be a full-time working artist is a dream of mine.  My guess is it’s the dream of most creatives, and unlike popular myth, it is completely attainable.  However, most of us have had other jobs to support ourselves at one point or another, and sadly, many feel ashamed of this.

Not me.  The work that has sustained me and my family for decades is not art-related, but it is the foundation that I stand on, and it has taken me around the globe.  Through this travel, I became so deeply inspired by the landscapes I roamed, my installation practice was reignited.  Now, my installation is sprouting new opportunity for work, but this time in the art world.

The perfect art world, high above the clouds on Haleakalā, deserves an abaca swirl installation, April 2019.

The perfect art world, high above the clouds on Haleakalā, deserves an abaca swirl installation, April 2019.

See how that rolls?  Job—>travel—>installation—>job - and the power of three is born.

 

USD 3.3M

I had an exceptionally good sales year in 2018, as did many of my colleagues.  As a gift to our team, my company hosted our annual sales meeting in Maui this year.  As a bonus, a few extra days to explore the island and an invitation for our loved ones to join was extended.

My guy, Chris, and yours truly, finding amazing new vistas in West Maui.

My guy, Chris, and yours truly, finding amazing new vistas in West Maui.

Mahalo, Opticon, bon voyage, and aloha installation!

Funny enough, this trip was my third visit to Maui, and it’s said, the 3rd time’s the charm.

 

No small trifle

One very delightful piece of this voyage was a treasure hunt I hosted for all the creative travel enthusiasts I had to leave behind.  The beauty of our digital world allowed me to stay engaged while installing almost 3000 miles from home.  Working remotely never felt so connected.

In the midst of meetings and Power Point presentations, I managed to sneak away for six installations over six days.   With a virtual family of travelers in tow, I shared a map of Maui and posted visual clues on social media about each piece.  Nothing like playing a game at work!

Vertical stack of paper pulp bricks painted with earth pigments and installed in drift wood.

Vertical stack of paper pulp bricks painted with earth pigments and installed in drift wood.

So, what was the real treasure in this hunt?   The amazing community I’m so lucky to have found along the way!

 

Triple threat

As rewarding as this trip was, installation always has it’s difficulties.  Add work and children to the mix, plus a healthy dose of wind, and new challenges were bound to bubble up:

Challenge 1:  Business meetings always spill into the evening, and the sun sets relatively quickly the closer you are to the equator.  How do you photograph an installation in the dark?

Threaded orbs installed on a banyan tree with the glow of darkness, Lahaina, April 2019.

Threaded orbs installed on a banyan tree with the glow of darkness, Lahaina, April 2019.

Same orbs but with a flash of delight! Which one do you prefer?

Same orbs but with a flash of delight! Which one do you prefer?

Challenge 2:  Teenagers have slightly less patience when it comes to tagging along on an installation trek.  How quickly can you find a site before your child gets bored?

My son, Mason, chillin’ at 10,000 feet, while I was a few hundred feet higher installing. Thanks for waiting!

My son, Mason, chillin’ at 10,000 feet, while I was a few hundred feet higher installing. Thanks for waiting!

Challenge 3:  Maui is in the middle of the ocean, so it is very windyHow do you keep paper pulp from blowing away?

Wind whipping is one of the many dangers of installation at 10000 feet.

Wind whipping is one of the many dangers of installation at 10000 feet.

3, 2, 1…

Three has been a lucky number in my life (just look at those amazing three people I call my kids!).  So, I won’t dismiss the power of 3 and the critical part my job plays in today’s creative triangle.  Without it, I would not have traveled to Maui’s paradise to create yet another set of installations, trying fresh materials and finding new beaches of inspiration.

Wheat pasted paper rolls embedded in a rocky beach in West Maui, April 2019.

Wheat pasted paper rolls embedded in a rocky beach in West Maui, April 2019.

So, as a typical human being, I suppose I also look for patterns and relationships in the world around me.  While pondering the impact of my day job on my creative practice, a few more connections popped up, which I leave for you to chew on:

  •  Without the 3 primary colors, we would have no rainbow

  • Without the 3 legs of a tripod, a camera would struggle to capture the aurora borealis,

    and perhaps most importantly…

  • Without AAA’s TripTik, we would all be lost.

Don’t worry -  I got you covered on the last one.  If you’d like your own copy of the Maui treasure map, click, click, clickLet me know what treasures you find in the comments below…

Kisses - Margaret

2D or not 2D - that is the question?

To flip is to flop

One pair of flip flops is all this artist needs.  If I didn’t love the polar north so much, my toes would always be exposed in the only shoes in my closet.  One pair, no choice, no problem.

Flip flops were made for installation! Placing a few colorful sticks on a dock in Union, Washington.

Flip flops were made for installation! Placing a few colorful sticks on a dock in Union, Washington.

Asked to choose between chocolate or vanilla, the bean made of cocoa would win, even though chocolate chip ice cream would be the obvious solution.  One flavor, no choice, no worries.

Canine or feline?  That’s easy – woof.  One pet, dirty house, ugh.

Meet Callie - resident studio dog, lover of eggs and cheese, and one giant fur ball!

Meet Callie - resident studio dog, lover of eggs and cheese, and one giant fur ball!

Having choice is one thing, but having to choose is quite another.  As much as I like to believe in the power of choice, I also recognize that I prefer fewer options, thus making the selection process quick and easy.

So, in a world where there are endless possibilities, why are we asked to pick a favorite, to choose one instead of the other?

I ask this because in the world of art specifically, I can’t choose, and quite frankly, I don’t want to.  It’s the one area where I want to try everything (ok – maybe not realistic figure drawing!), and for once, the more options I have, the more my creativity can thrive.

Stack Shack in all of it’s macro glory! A rainbow of organic dye in Þingeyri, Iceland, February 2019.

Stack Shack in all of it’s macro glory! A rainbow of organic dye in Þingeyri, Iceland, February 2019.

2D+3D=5D. Now that is math I can get behind!

 

Tik Tok

Wait…there is one more area where I long for a ‘sky’s the limit’ kind of choice:  Travel!

No surprises there.  When Chris asked where he could take me for my 50th birthday, the list of options, places high on my bucket list, was lengthy.  In the end, the choice, Lofoten, Norway, wasn’t difficult because I still have so many amazing landscapes to discover.  There is time and it will never be too late.

Chris and yours truly leaning into the wind on our way to Lofoten, October 2018.

Chris and yours truly leaning into the wind on our way to Lofoten, October 2018.

And these words perfectly describe how I feel about my creative journey.  Yes, it appears my passion has led me to installation, filled with all kinds of delicious sculptural material to build, but the photographer in my DNA is itching to compose a still life of my creations.  Not sure what the painter in me thinks about all this craziness, but she’s okay to fling some color around in the meantime.  There is time.


Resident artist

Even with the wanderlust and countless corners of the globe to explore, I seem to choose Iceland again and again, just like those worn out Havaianas.  This time (February 2019 to be exact), however, I decided to return to that enchanting island near the Arctic Circle to explore my love of the fifth dimension.

Shot Glass installation on the beach of Þingeyri, Westfjords, Iceland, February 2019.

Shot Glass installation on the beach of Þingeyri, Westfjords, Iceland, February 2019.

For my first artist residency, I proposed to dive deep into extracting organic dye from the land and sea of Þingeyri, Iceland in the Westfjords.  With these colors from nature, I would experiment across mediums, and one might even accuse me of stepping into the craft side of the arts’ universe:  Dyeing fabrics, installing the frozen liquid across the village and pouring it on paper to see how seaweed, lichen, cabbage and kale would soak into washi.  Is she a cook or a seamstress?  A forager or a printmaker?  What is this artist crafting now?!?

My warehouse studio at the Westfjords Residency. Cold, but oh so spacious!

My warehouse studio at the Westfjords Residency. Cold, but oh so spacious!

Passion…

 

Palette perfection

Ten days in a remote fjord in the middle of winter was the perfect setting for limited choices.  It was exactly the wildly windy silence I sought to focus exclusively on creative expansion.  Choosing only four organic substances for extraction also felt comfortably restricted.  My reward in the sparseness was a beautifully abundant color palette only Mother Nature could create.

Seaweed, lichen, cabbage and kale - oh my! Organic dye in all it’s natural wonder.

Seaweed, lichen, cabbage and kale - oh my! Organic dye in all it’s natural wonder.

From simplicity came the complexity I seek in my art practice, a choice I may never have made on my own.

Any doubt lingering in my mind about a need to choose just one discipline continues to dissipate.  What my Icelandic residency gave me was not only a deeper understanding of organic dye, but a sharpened curiosity of how I might use it’s subtle beauty across varied platforms.  Iceland also gave me some amazing artwork!

Building a body of mixed media work from the   Iceland   series. Organically dyed fabric on canvas, 12x12 inches.

Building a body of mixed media work from the Iceland series. Organically dyed fabric on canvas, 12x12 inches.

Letting it slide

One pair of snow boots is all it takes to keep this artist’s toes toasty in the Arctic chill.  Four times over eight years, no change, all good.

One pair of boots and a bucket of ice. What more does an artist need?

One pair of boots and a bucket of ice. What more does an artist need?

In February, I also brought a pair of slides to Iceland, my winter version of flip flops.  As we made our quick exit to beat the blizzard winds threatening to strand us another day in the Westfjords, I accidentally left my slides behind.

Note to self:  I only need one pair of shoes wherever this journey takes me.

Kisses - Byrdie

It's a jungle out there

Fizzy pop

I got bubbles on the brain.  Maybe it’s the sound of a cork popping at the strike of midnight on New Year’s Eve.  Could be the bubble bread Zsofi lovingly baked for our family at Christmas last week (it’s not just for Thanksgiving anymore!).  Or perhaps it’s the thought of soaking in a steaming hot bubble bath to shake off the holiday blitz and quietly wind down on the last day of the year.

Bubbles can make you fly!

Bubbles can make you fly!

Whatever the reason, the amazing creative bubble I’ve floated in this year has bounced me across the globe experiencing a perfect balance of art and nature.  From eucalyptus to ponderosa, boreal to rain, the forests I’ve smelled have been as varied as the installations I’ve placed.  And this month, I was lucky enough to add a vegetation variation to the tropical climate category – the jungle.

Deep in the jungle of Haramara Retreat in Sayulita, Mexico.

Deep in the jungle of Haramara Retreat in Sayulita, Mexico.

Rustic roots

Signing up for a week long Art2Life painting workshop at Haramara Retreat in Sayulita, Mexico was a treat I gifted myself to continue my pursuit of all things acrylic.

The open air studio of Haramara. A perfect place to paint for a week!

The open air studio of Haramara. A perfect place to paint for a week!

Described as eco-rustic, the property has kept its promise to provide a quiet sanctuary among the wildly pristine terrain of the dry forest entrenched in the coastal mountain range.  Open-air cabanas tucked away in the groves of coconut palms and paper bark trees have no electricity, only candlelight to flicker as the sun sets over the Pacific.

Living among the tropical elements in Moldavite cabana.

Living among the tropical elements in Moldavite cabana.

Not exactly roughing it with the personalized service, fresh organic food and spa amenities, but the jungle’s heart beats steadily in the tangled thicket all around.

And over one week of creating in this lush environment, the jungle showed me just how strong of a pulse it has.


Bio-diversity

Although painting brought me to Haramara, I could not ignore the pull of installation, particularly in such a wild terrain.  Kindly requested by the owner of the property to place only 100% organic material, I spent weeks experimenting with new substrates in my studio/kitchen that could absorb home-brewed organic dyes.

Homemade organic dye cooked up from hibiscus, paprika, turmeric, parsley, blue pea and red cabbage.

Homemade organic dye cooked up from hibiscus, paprika, turmeric, parsley, blue pea and red cabbage.

Mung bean and rice paper met the challenge as I found a way to recreate bio-degradable forms that kept the translucency I adore.

Mung bean infused with organic dyes hanging in the Mexican sun.

Mung bean infused with organic dyes hanging in the Mexican sun.

Dough was an obvious choice, but I also dreamed of making paper pulp bricks to stack or embed in the forest floor.  How to keep those blocks colorfully eco-friendly?  Earth pigments, naturally!

Nothing better than color from the earth!

Nothing better than color from the earth!

Even in the tropical heat, my love affair with ice was on the planning list, so new mold shapes were discovered and a bond with the Haramara kitchen staff (and freezer!) was cultivated.

Freezing and melting tubes of ice wedged between young palms.

Freezing and melting tubes of ice wedged between young palms.

I could not have been better prepared, but as I soon found out, the law of the jungle has its own set of rules, and I was far from its queen.

Jungle fever

Born from the Hindi word jangal, to call this place a wasteland seems a tad severe.  However, in the metaphorical sense, I truly experienced the uncontrollable nature and isolation of the jungle every time I tried to install.

A jungle tree opening up for organic dough. One of the few installations I placed with limited difficulty.

A jungle tree opening up for organic dough. One of the few installations I placed with limited difficulty.

Granted, every installation journey is filled with challenges, but I felt each one of the emotions often associated with the word jungle:  confusion, powerlessness, disorientation and immobilization.

Perhaps it was the heat playing tricks on me, but you cannot ignore the signs of the wild for long.  Every day, the organic artwork would fight its placement in some way:

1.     The terrain would swallow it whole – pieces plunged to their fate through thorned bushes and tumbled down rocky ravines.

2.     The canopy played with the light, diffusing it across the artwork so it disappeared against a back drop of the most comprehensive palette of green known to the human eye.

3.     Sand and dirt refused to play second fiddle to the vibrant flower petals I had collected to embed in ice, so the crushed earth clung to every single piece I touched.

4.     Ants ate everything else.

Dough Ant.jpg

Lesson plans

As with any good struggle, a lesson is always intertwined in its fiber.  Perhaps the easiest explanation was a gentle reminder from the universe that my Haramara trip was meant to expand my painting practice.  Noted.

Finding my abstract language in acrylic paint. Getting closer to quiet simplicity.

Finding my abstract language in acrylic paint. Getting closer to quiet simplicity.

Or maybe, my ephemeral darling, ice, should be kept for polar excursions where the pressure to place lasts longer than 318 seconds.  Hmmm.

Ice infused with organic dye and installed on the beach at Haramara for mere seconds. Ephemeral work at its finest.

Ice infused with organic dye and installed on the beach at Haramara for mere seconds. Ephemeral work at its finest.

Valid thoughts for sure, but neither one rang true in my heart, and certainly would not keep me from such creative exploration in the future.

 No, it was much simpler than that, and yet, so much more profound:

 

The jungle is abundance personified.  Bursting with life, it creates beautiful harmony all on its own.  It has exactly what it needs – nothing more, nothing less.

The essence of things to come

A bumpy trek in the jungle could have burst my creative bubble, but I’ve returned from the wild side of installation a tiny bit wiser…once again.  Each journey brings its own surprises, all of which provide just enough sparkling effervescence to fuel the next adventure.

Ice infused with organic dyes installed on a dried coconut palm piece found along the beach. Guess how many times it tumbled into the sand?

Ice infused with organic dyes installed on a dried coconut palm piece found along the beach. Guess how many times it tumbled into the sand?

Cheers to 2018, and let’s clink our glasses to 2019!  I’m so honored and grateful to share this journey with you, no matter how bumpy the creative road may be…

Kisses - Margaret

Take charge of living large

The stuff of dreams

Nestled in the sand among sea-weathered driftwood in La Push, Washington, my daughter, Zsofi, dazzles us with tales of the universe.  As the stars above begin to twinkle, wild statistics of relativity bounce around our banter like the sparks of our campfire:

  • All of the planets from our solar system can fit between the Earth and the Moon.
  • Jupiter is approximately 318 times as massive as Earth.
  • 1.3 million Earths can fit inside our Sun, but 9.3 billion Suns would be needed to fill VY Canis Majoris, the largest known star in the universe.
How many grains of sand can you hold in your hand?  Only the La Push jellyfish really knows...

How many grains of sand can you hold in your hand?  Only the La Push jellyfish really knows...

And to bring us right back to the very beach we are huddled on, famed astrophysicist, Carl Sagan’s timeless quote drifts by:

  • The total number of stars in the universe is greater than all the grains of sand on all the beaches of the planet Earth.”

So, as we sit in awe of the cosmic vastness around us, a very simple truth emerges:

We are small.

Zsofi sizing up the largest piece of driftwood I've ever seen.  The magic of La Push, July 2015.

Zsofi sizing up the largest piece of driftwood I've ever seen.  The magic of La Push, July 2015.

 

Major Minor

The notion of small, and it’s more expressive cousins of compact, tiny, petite and wee, are often celebrated in our culture.  All things technological are shrinking while becoming more robust and efficient.  Micro-living and tiny houses are infiltrating both our consciousness and our neighborhoods.  Even our planet, in its itsy-bitsy place in the Milky Way, is dwindling as globalization becomes the norm.

In the creative world, miniature art has been thriving for centuries with dozens of active societies across the continents.  Who isn’t intrigued by the artist who has the patience, focus and unparalleled fine-motor skills to create the minute?

That artist is not me….or so I thought.

Teeny tiny Ice embedded with pea and berry atop a lichen covered lava rock near Stykkishólmur, Iceland, December 2017.

Teeny tiny Ice embedded with pea and berry atop a lichen covered lava rock near Stykkishólmur, Iceland, December 2017.

 

Under the microscope

Building a sculptural piece for my installation practice has been dictated by the space it is created in - studio, kitchen, freezer, silicone mold – all relatively small.  However, the proximity I have to the work in vision, creation and documentation magnifies its size in my mind’s eye.  Nevertheless, like moving from sketchbook to canvas, I can see that my installation’s substrate is actually massive...

Welcome to Planet Earth!

I spy with my little eye a teeny tiny ice installation.  Can you find it?

I spy with my little eye a teeny tiny ice installation.  Can you find it?

 

Lights, Camera, Action

The Hawaiian Islands are a tiny ripple in the Pacific Ocean.  Iceland is an elf in the shadow of Greenland.  The expansive beach of the rugged Olympic Peninsula is a milli-fraction of North America’s coastline.  Yet, each of these wonderlands have elicited vastness in contrast to the tiny installations I have placed. 

Ice embedded with leaves at the base of Dynjandi waterfall in Iceland, frozen above at 330 feet tall, November 2017.

Ice embedded with leaves at the base of Dynjandi waterfall in Iceland, frozen above at 330 feet tall, November 2017.

Through the lens of a camera, I’m pulled magnetically towards the details of the artwork starring in my play, but the setting is an integral part of the plot.  The locations have been carefully selected by a visceral energy, their draw magically nipping at my wanderlust.

Simply put, I travel to these sites because of their immense beauty.

Blue butterfly pea infused ice installation melting fast on the black sand beach at Waianapanapa in Maui, June 2018.

Blue butterfly pea infused ice installation melting fast on the black sand beach at Waianapanapa in Maui, June 2018.

Placing an installation within a sweeping environment does not make me feel small, but rather fills me with limitless creativity.

You see, it’s all relative.

Acres of ranunculus blooming in Carlsbad, California, made a perfect site for an installation, March 2018.

Acres of ranunculus blooming in Carlsbad, California, made a perfect site for an installation, March 2018.

 

Blink of an eye

Beyond the miniscule nature of being alive and kicking in this teeny twirling orb called Earth, our time here is nothing more than a blip.  How about that for making you feel small?

In my artwork, people often wonder why I make ethereal pieces that will be gobbled up by the world around them.  All of the time and effort, heart and soul, to be snatched away in a matter of moments?

Organically dyed dough (or Fruity Pebbles!) installed between lava and coral in Maui, June 2018.

Organically dyed dough (or Fruity Pebbles!) installed between lava and coral in Maui, June 2018.

Placing tenuous work allows me to experience the now.  It is the nano-second of time that I can create my own unique mark and marvel at its micro-impact.

Standing in the massive lava flow on the MacKenzie Pass in the Oregon Cascades, a spectacle that belched its way across the landscape close to 3000 years ago, I see a few scattered trees.  They have no business being there, but it is their wee mark in time and space that captures my heart and my artist's eye.

So, get out there and plant your creative sapling now.

Glitter infused resin cubes installed in a Lodgepole pine setting up shop in a lava field on MacKenzie Pass in Oregon, August 2018.

Glitter infused resin cubes installed in a Lodgepole pine setting up shop in a lava field on MacKenzie Pass in Oregon, August 2018.

 

Bigsy Small

For many of us, the idea of being small is cripplingComparing ourselves to those around us can foster fear and produce feelings of inadequacy.  Artists have this affliction in spades, all wrapped up in limiting beliefs that keep us from making our mark, even though the world is anxiously waiting for it.

Installation of acrylic painted paper sticks installed along the River Walk in San Antonio, Texas, March 2018.  I had more people stop to talk to me about the installation than ever before, all curious about what kind of mark I was making.

Installation of acrylic painted paper sticks installed along the River Walk in San Antonio, Texas, March 2018.  I had more people stop to talk to me about the installation than ever before, all curious about what kind of mark I was making.

Funny enough, the best way to move beyond this fear is by taking the tiniest of steps.  Just one unique speck today creates a growing momentum and informs the splotch of tomorrow.  We’ve been graced with space, so fill it up, buttercup!

 

The granular level

The next time you are laying in the sand, imagining the grains you hold in your hand are only a snippet of the stars you see in the sky above, remember this:

Living large and making a mark on Pacific Beach in Seabrook, Washington, April 2018.

Living large and making a mark on Pacific Beach in Seabrook, Washington, April 2018.

Guess that means we truly are larger than life!

How about leaving your mark in the comments below?

Barefoot in a Sneaker Wave

Better get your trench coat

From 16,000 feet deep in an under-water ravine to the crest of an 8-story thundering wave, the coast of Nazaré, Portugal has a magnetic pull.  In the churning Atlantic water of Praia do Norte, hard-core surfers, and spectators alike, plunge into the wild world of big wave surfing.  In fact, in November 2017, Brazilian surfer, Rodrigo Koxa, broke the world’s record by flawlessly riding this massive 80 foot wave, honoring a life-long passion.

First and last time on a surfboard in 8 inch surf at Praia do Madeiro, Brazil, 2010.

First and last time on a surfboard in 8 inch surf at Praia do Madeiro, Brazil, 2010.

 

Northern exposure

Later that same month, 25 degrees north of this famous breaker, lying face down on a rocky beach along the Strandir coastline, I encountered my own booming breaker.  Fingers numb in the gusting wind, I howled, “never turn your back on the ocean” -  a saying my kids have heard me utter many times.  Placing my second ice installation within feet of crashing waves, my travel mate, Chris, kept eye for any monster swell that could sweep us away.

Dried leaves embedded in ice installed on the Strandir coast in the Westfjords, Iceland.  The tiny black thread near the top left side of the ice is my glove, sticking relentlessly to the frozen piece. Thus, bare hands were required to install!

Dried leaves embedded in ice installed on the Strandir coast in the Westfjords, Iceland.  The tiny black thread near the top left side of the ice is my glove, sticking relentlessly to the frozen piece. Thus, bare hands were required to install!

In absolutely no way were we facing the danger of Nazaré, but chasing my creative dream pulls me back to the ocean time and time again.  What power do these wild waves have over my journey, and how do I make sure I’m not turning my back on the surf in front of me?

Facing the churning sea in Djúpalónssandur, Iceland to install blue pea infused ice.

Facing the churning sea in Djúpalónssandur, Iceland to install blue pea infused ice.

 

The Big Kahuna

Duke Kahanamoku, the father of modern surfing, is credited with coining the famous phrase that keeps us facing seaward.  Both practical and philosophical, this saying teaches us two important life lessons about the power of the ocean:

1.     There are significant physical dangers of being hit by a wave.

2.     Mankind needs to show deep respect for the sea.

Humbly, I’d like to offer one additional lesson to be learned:

3.     The wave coming could be the ride of your life!

Rising temperatures and rising tide at Kirkjufell, Iceland means melting ice...fast!

Rising temperatures and rising tide at Kirkjufell, Iceland means melting ice...fast!

 

v = f x λ

Waves as a metaphor for artistic creativity is perfectly suited.  Many of us have had times brimming with unbridled imagination and surging productivity.  For each crest, however, there is a trough, a quiet time…the lull.  Without one, we can’t have the other, so I’ve gingerly embraced both, experiencing the drought before the flood.

Silk thread orb installed at the driest place on Maui:  Haleakala Crater.

Silk thread orb installed at the driest place on Maui:  Haleakala Crater.

 

Roll with it

Today, facing an expressive tsunami, however, I am feverishly grabbing at each medium that pokes out of the rushing water.  Ice, resin, paper, fiber, adhesive, wax, paint and canvas are all bobbing about my studio.  While I could be drowning, each one plays an integral part in this wild ride, one supporting the other in ways I can’t begin to understand.  But, that is okay – I trust the process.

Glitter infused adhesive domes melting in the Hawaiian heat.

Glitter infused adhesive domes melting in the Hawaiian heat.

I have to - these are my life-saving floaties.

 

Making waves

So, if today's story is about ‘The Big One’, let’s dive more deeply into some of the ways we choose to describe a tidal wave, creative or otherwise:

  • Sneaker Wave:  Well, as we already determined in my last blog, sneaking has its perks.  With creativity, it can pop up at any time, without warning, and pinch us hard.  I say it's better to laugh than cry.
Abaca installation turned upside-down in San Antonio, Texas.

Abaca installation turned upside-down in San Antonio, Texas.

  • Killer Wave:  Yet another negative description, but how many times have you used it to describe something extraordinary?  If you get out there, showing up every day, I guarantee you will be killing it.
  • Rogue Wave:  When creativity hits, I urge you to ‘go rogue’ in the full Urban Dictionary sense.  Don’t follow the rules.  Let your heart lead and do what feeds your soul.
Nobody gave me permission to do this installation.  The only formal invitation I received was from Mother Nature.

Nobody gave me permission to do this installation.  The only formal invitation I received was from Mother Nature.

  • Freak Wave:  So, Rogue, go listen to the lyrics of Come from the Heart and dance like nobody is watching!  As one of my favorite contemporary artists, Nicholas Wilton, would coach:  create art in exactly the same way.  Flying your freak flag is what makes your art uniquely yours.
  • Extreme Wave:  Not for the faint at heart, when creativity comes calling, push yourself as far as you can, all the way to the edges of your comfort zone.  I promise, you won’t fall off.  That’s where the good stuff hides.
Blue pea and red cabbage infused ice installed near the outer edge of Ögur, Iceland.

Blue pea and red cabbage infused ice installed near the outer edge of Ögur, Iceland.

 

I met a Cyclops in Ghost Trees

If the names for waves weren't scary enough, what about swells being creatively called Jaws, Dungeons and Mavericks?  What do these mega-wave meccas have in common with Praia do Norte, or the crazy 'artist' who chooses to play in the 'surf'?  At these beaches, to ride the Big One, tow-in surfing is not a luxury, but a technological necessity.

Yes, it means having a partner in crime, someone who understands the fierce power of the ocean and pull of passion, and is there to help propel you safely through the choppy waters.

Guess we should add one more life lesson to The Big Kahuna list above:

4.  Never swim alone.

Chris, partner in crime, soaking seaside after a long day of ice installation in Drangsnes, Iceland.

Chris, partner in crime, soaking seaside after a long day of ice installation in Drangsnes, Iceland.

On the very same island as Jaws, Chris stood watch with the surf pounding against the lava field at La Perouse Bay while I swiftly placed the last of my Maui installations.  Mouthing the words that have become my mantra, my partner in crime faced the waves by my side, keeping me safe while I dove in.

Feeling the ocean spray in my face while installing organically dyed dough at La Perouse Bay in Maui.

Feeling the ocean spray in my face while installing organically dyed dough at La Perouse Bay in Maui.

 

Passion Fish

My sleep is often filled with dreams of crystal clear tidal surges that I manage to negotiate perfectly with a surfer’s ease.  The trick I've learned is this:

Dive straight into the face of the wave before the crest crashes.  Passion is on the other side.

Tell me, what do you dream about?  Jump into the comments below - the water is perfect!